Filmmaking » Cinematography http://www.filmakers-tools.co.uk Film and Video Information Wed, 08 Feb 2012 14:54:37 +0000 http://wordpress.org/?v=2.9.2 en hourly 1 Common Strategies of Animated Comedy http://www.filmakers-tools.co.uk/common-strategies-of-animated-comedy.html http://www.filmakers-tools.co.uk/common-strategies-of-animated-comedy.html#comments Sun, 06 Mar 2011 15:28:13 +0000 admin http://www.filmakers-tools.co.uk/?p=2347

As an independent filmmaker specializing in animated comedy, I’d like to share my thoughts and observations on how to create projects intended to make people laugh (in a good way). By taking a close look at recent popular shows and movies (i.e. Simpsons, Family Guy, Shrek, etc) I’ve outlined a brief analysis that identifies some of the major strategies of humor used in many of today’s animated television programs and shows, as well as the advantages/disadvantages of implementing them. Just a note before we continue: this article isn’t intended only as a guide for comedy filmmakers- I’m sure those of you who appreciate good humor will get something out of it as well.

The following compilation is the result of my own observations, and I’m certain you’ll see what I mean if you take a closer look this Sunday night when Family Guy comes on. Later, I’ll share some of my own thoughts on the subject of creating effective humor for mainstream audiences.

1. PARODY: This involves poking fun of well-known genres and plot formulas (action, horror, porn, etc), and making references to well-known films, TV shows, famous people, significant historical events, etc. Very often, these genres, films, and TV shows are spoofed. Think of the number of times you’ve seen a reference to a Kubrick film during an episode of The Simpsons, or a Star Wars reference in Family Guy to emphasize a joke.

Advantages: First off, it’s easy to do and often elicits laughs. The basic structure of the joke is based on a well-known source, and the audience is likely to get it right away.

Disadvantages: To be blunt, it’s lazy filmmaking. Too much parody thrown in a story can often be interpreted as a lack of creativity/originality, and ultimately limits the project’s depth. Jokes/gags of this kind will only last as long as the spoofed or referenced subject is popular or is fashionable.

2. ANIMATION THAT IS DELIBERATELY BAD/CHEESY: Includes the use of poorly drawn/animated characters and backgrounds as an important element of the humor.

Advantages: Sometimes more efficient and more cost effective than using more detailed animation techniques. It’s funny to watch and calling some attention to the bad animation can generate new jokes and great sight gags. Think of shows like Aqua Teen Hunger Force and Sealab 2021.

Disadvantages: Like the parody, this can quickly turn into lazy filmmaking. Depending only on bad animation for laughs might make the project difficult to maintain in the long run.

3. GROSS-OUT HUMOR/EXPLICIT LANGUAGE: Includes humor that is, but not limited to being scatological, sexual, bloody, etc. Also includes use of foul language. Since the Simpsons and South Park, audiences have come to expect jokes of this kind.

Advantages: In small doses and if done with subtlety, gross-out humor and the use of explicit language combined with visual sight gags can be hilarious.

Disadvantage: Easy to overuse. Dialogue containing too many four-letter words for the sake of being obnoxious will turn off most viewers. Gross-out humor, if only used for shock value, will seem shallow if it does nothing to contribute to the overall story.

4. NON-SEQUITORS (RANDOM HUMOR): Jokes, statements, events, etc. that happen out of nowhere.

Advantages: Absurd humor that occurs at random works on several levels, which include the outlandishness of the act itself, its unpredictability, and also its general disregard for logic in context with the scene’s apparent focus. It can take an audience by surprise, and can add some originality to the project.

Disadvantages: If an absurd and random act suddenly shifts the focus of the story, it may disappoint viewers who have otherwise been engaged in the narrative. Also, many people may not “get it,” which has the potential of restricting the viewing demographic. When a nonsequitor serves as a story’s conclusion, it’s usually evidence of an inability to create an effective ending.

On creating more effective humor:

Characters with unique qualities: Trying to be original isn’t easy, but it is a lot of fun. When creating characters, don’t worry too much about whatever’s “hip” or “in” at the moment. Start off with characters that have very specific personality traits, habits, etc. Base them off yourself, off of people you know, your experiences, or just let your imagination run wild. Give your characters specific hobbies, unusual interests (i.e. a hero that can’t resist objects that squirt water), and/or specific likes/dislikes. These concrete qualities will often provide opportunities to develop character, storylines, and above all, humorous events.

Stories with solid conclusions: Many creative folks I’ve talked to notice the difficulty of coming up with good endings. No matter what the genre, filmmakers of all sorts can learn a valuable lesson from mystery novel authors. When you come up with the idea for a film, start by knowing how it’s going to end. This gives the story focus, and makes it easier for all the events to logically pan out. Another important tip to remember- audiences will almost always forgive a film with a bad beginning, but will never forgive a film with a bad ending.

Understand that being funny isn’t the same as acting funny: Okay, what does this mean? Here’s an illustration: There was a video on the internet of a careless skateboarder falling on his face multiple times after trying to coast off the roof of his parents’ house. It wasn’t funny to the skateboarder, but it was funny to most of the people who saw it happen. Why? On a psychological level, it’s in our nature to laugh or take some kind of satisfaction in someone else’s misfortune/failure so long as the screw-up doesn’t result in death or dismemberment (most of the time). On a more practical level, most of the online viewers laughed at the sheer idiocy of the act. After all, the careless skateboarder who plunged off the roof actually expected positive results from his stunt. So how do we apply this to creating comedy? Create situations that are funny to the audience, but not to your characters. One effective way of doing this is having your characters expect serious results from doing things that are clearly dangerous, stupid, or both.

These are just a few pointers to help you get started with creating your own comedy, or to help you understand some of the more successful comedy out there today. I hope you enjoyed the article. Have a good laugh!

]]> http://www.filmakers-tools.co.uk/common-strategies-of-animated-comedy.html/feed 0 7 Secrets To Shoot Video Like A Pro http://www.filmakers-tools.co.uk/7-secrets-to-shoot-video-like-a-pro.html http://www.filmakers-tools.co.uk/7-secrets-to-shoot-video-like-a-pro.html#comments Sun, 06 Mar 2011 15:17:21 +0000 admin http://www.filmakers-tools.co.uk/?p=2339

Alot of us get inspired by movies to want to shoot great video with our video cameras – unfortunately there is a difference between want and being able to. Like photography, good videography requires a level of competence and artistic know-how. After all, there’s more to shooting great footage than pressing the record button.

For good or bad, I learned the hard way how to shoot professionally. I’m not promising you’ll get an oscar for your efforts but you’ll avoid giving viewers that amateur-I-can’t-hold-a-camera-steady look.

1. Be A Good Student

Just like any craft you need to know your tools. For example, if your filming your son’s baseball game you need to increase the shutter speed to ensure your image is free of motion blur. If your shooting from a distance and you’ve zoomed to bring the subject closer you’ll need to pay attention to the camera’s focus and switch it to manual to avoid focus drift. It really comes down to reading the manual and learning the tools. At first it may seem daunting but if you tackle one concept at a time and apply yourself by shooting it will make sense and it will become second nature. To simplify things, I recommend keeping a cheat sheet handy if necessary.

2. Stay Prepared

Think of videography like camping, you always need a survival kit.

- Bring plenty of spare batteries – you never know when you’ll need them.

- Extra blank tapes. The more quality footage you have the easier the editing process.

- A lens-cleaning cloth. You don’t want to be stuck in a situation where you have a smudge and you have nothing safe to clean your glass with. This a situation where post-production will not help.

- Bring a tripod. Steady shots go along way in preventing motion sickness. You’ll be surpised how much better your shots will look.

- A battery charger/power supply. Having the ability charge your batteries ensures minimal downtime and more content.

- Extension cords for long cable runs. You want to be prepared for the worst scenario. Often on jobs, I’ll bust out the cables if a local receptacle is not available.

- Duct tape, for taping down the extension cord so people don’t trip over it. You don’t want a lawsuit on your hands.

- Lighting gear, lens filters, and microphones, and any other accessories you may need. These are your tools to quality videography. Unless your feeling lazy, don’t leave home without them.

3. Say YES to a tripod

The majority of home videos end up looking shaky, which is a drag to watch. Even with a small investment of $30 on a tripod, your footage look will look professional and steady. Also, you’ll have the ability to execute pans and zooms without trouble.

No tripod? Lean against a wall to minimize shakiness. OK, no wall you say? Putt your butt on the ground, bend your knees, and drop your elbows on them.

If your shooting an event where space is limited or you’re on the constant go I recommend a monopod. These are a real lifesaver. Not only can you get rock steady shots, you occupy less space and can relocate in a matter of seconds.

4. Give me light

It doesn’t matter how good your camera is. If you have crappy lighting, it will reflect (no pun intended) in your video. A quick solution to overcome lighting issues is to shoot outdoors preferably in the morning or late afternoon hours. Why? At these times of the day the light is less harsh and produces a more pleasant softer look on the video – no shadows over the eyes, squinting, or washed out skin tones.

If you must shoot indoors take notice of which way the light is directed in the room. Avoid shooting your foreground subjects close to bright windows behind them. You don’t want your camera to expose for the background leaving your foreground subject dark. Certainly let as much light into the room as possible and try to have the light coming from behind you towards your subject. If the light levels are low, its good practice to disable autofocus or you will encounter problems as the camera attempts to focus properly.

5. Hi-Fi Audio

Many people don’t notice good sound but they sure notice bad sound. Getting good sound does take some work but its do-able. The microphones built into most cameras are pretty basic and are not considered high-end. When your dealing with an uncontrollable environment it’s always best to get as close as possible to the source as possible to ensure the cleanest recording. You must monitor your audio with headphones to ensure the best results.

6. Composition

Proper composition is everything when setting up a good shot. Professional videographers obey the “rule of thirds” and you should do the same. Imagine a tic-tac-toed board over your viewfinder. The lines interact in four spots. Your goal should be to frame the action using one or more of those spots.

Of course, art is subjective and you can break this rule if your feeling creative. But exercise restraint: you don’t want to alienate your audience.

7. Shoot B-Roll

B-Roll is secondary footage that is used for cutaway shots to connect your primary shot. The cutaway of b-roll footage can also be used to hide unflattering shots or mistakes you may have made while shooting. If your filming a wedding, you might take shots of the church, the invitation, and the little bride and groom atop the cake. When its time to cut your movie, you mix in the footage to cover up mistakes and add variety.

There are no hard rules. Anything can become B-Roll. If you study television shows or news stories you’ll see a constant use of B-Roll. It’s basically the glue to connect and link scenes together. As you gain experience you will be able to visualize your edit and what shots you need before you even shoot. As the old saying goes, practice makes perfect.

]]> http://www.filmakers-tools.co.uk/7-secrets-to-shoot-video-like-a-pro.html/feed 0 Setting Up Your Shots Great Camera Moves Every http://www.filmakers-tools.co.uk/setting-up-your-shots-great-camera-moves-every.html http://www.filmakers-tools.co.uk/setting-up-your-shots-great-camera-moves-every.html#comments Fri, 03 Sep 2010 16:18:30 +0000 admin http://www.filmakers-tools.co.uk/setting-up-your-shots-great-camera-moves-every.html

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]]> http://www.filmakers-tools.co.uk/setting-up-your-shots-great-camera-moves-every.html/feed 0 Audio for Single Camera Operation Media Manuals http://www.filmakers-tools.co.uk/audio-for-single-camera-operation-media-manuals.html http://www.filmakers-tools.co.uk/audio-for-single-camera-operation-media-manuals.html#comments Thu, 02 Sep 2010 02:44:39 +0000 admin http://www.filmakers-tools.co.uk/audio-for-single-camera-operation-media-manuals.html

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Intended for those wanting to learn about the basics of recording sound, specific to single camera location work, this book covers the equipment a single operator would use, methods and examples of how to learn sound techniques and ways of successfully working alone. It offers an account of audio theory, including post-production. ....read more

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Big Audio - Looking For A Song - Euro CD SingleBig Audio - Looking For A Song - Euro CD Single
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Big Audio - Looking For A Song - UK CD SingleBig Audio - Looking For A Song - UK CD Single
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BIG AUDIO DYNAMITE UK 1994 PR0MO CD Single LOOKING FOR A SONGBIG AUDIO DYNAMITE UK 1994 PR0MO CD Single LOOKING FOR A SONG
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SATISFACTION FOR ONE Loneliness Audio book CD being single NewSATISFACTION FOR ONE Loneliness Audio book CD being single New
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AUDIO FOR SINGLE CAMERA OPERATION (Media Manuals) GRANTAUDIO FOR SINGLE CAMERA OPERATION (Media Manuals) GRANT
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PRO HD 1 SINGLE PHONO Gold RCA PLUG to PLUG AUDIO Cable 10m for HiFi DVD SkyPRO HD 1 SINGLE PHONO Gold RCA PLUG to PLUG AUDIO Cable 10m for HiFi DVD Sky
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PRO HD 1 SINGLE PHONO Gold RCA PLUG to PLUG AUDIO Cable 5m for HiFi DVD SkyPRO HD 1 SINGLE PHONO Gold RCA PLUG to PLUG AUDIO Cable 5m for HiFi DVD Sky
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Beige Single Earhook Headset Microphone for ATL-AUDIOBeige Single Earhook Headset Microphone for ATL-AUDIO
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Autoleads FP-17-03 Car Audio Single DIN Facia Adaptor for Volkswagen Golf TouranAutoleads FP-17-03 Car Audio Single DIN Facia Adaptor for Volkswagen Golf Touran
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Tan Single Hook Headset Mic for ATL-AUDIO (3 PIN XLR)Tan Single Hook Headset Mic for ATL-AUDIO (3 PIN XLR)
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Audio for Single Camera Operation (Media Manuals) Tony GrantAudio for Single Camera Operation (Media Manuals) Tony Grant
End Time: 2012-02-18 17:42:28.
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BIG AUDIO looking for a song SONY PROMO CD SINGLE XPCD 551!BIG AUDIO looking for a song SONY PROMO CD SINGLE XPCD 551!
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Chiayo Q1002 Single channel VHF Wireless Mic 174.6MHz for Smart 300 76-0934Chiayo Q1002 Single channel VHF Wireless Mic 174.6MHz for Smart 300 76-0934
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BIG AUDIO - Looking For A Song (UK 4 Tk CD Single Pt 1)BIG AUDIO - Looking For A Song (UK 4 Tk CD Single Pt 1)
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10M SINGLE RCA MALE TO MALE CCTV AUDIO/VIDEO CABLE 30FT FOR CAR REAR VIEW CAMERA10M SINGLE RCA MALE TO MALE CCTV AUDIO/VIDEO CABLE 30FT FOR CAR REAR VIEW CAMERA
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Audio for Single Camera Operation (Media Manuals)Audio for Single Camera Operation (Media Manuals)
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Audio for Single Camera Operation (Med [BOOK] BRAND NEWAudio for Single Camera Operation (Med [BOOK] BRAND NEW
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Audio for Single Camera Operation NEW by Tony GrantAudio for Single Camera Operation NEW by Tony Grant
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Audio for Single Camera Operation (Media Manuals), Tony Grant, Good BookAudio for Single Camera Operation (Media Manuals), Tony Grant, Good Book
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BIG AUDIO LOOKING FOR A SONG CD SINGLE A4BIG AUDIO LOOKING FOR A SONG CD SINGLE A4
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BIG AUDIO Looking For A Song UK 4 TRACK CD SINGLE CLASHBIG AUDIO Looking For A Song UK 4 TRACK CD SINGLE CLASH
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Youve Got To Stand For Something [Single] [Audio CD] [AYouve Got To Stand For Something [Single] [Audio CD] [A
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Looking for a Song [CD 1], Big Audio, Good SingleLooking for a Song [CD 1], Big Audio, Good Single
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Audio for Single Camera Operation (Media Manuals), TonyAudio for Single Camera Operation (Media Manuals), Tony
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08 ROGUE AUDIO EQUIPMENT RECVR AM/FM/CD SINGLE DISC-SCROLL DOWN TO RED FOR DESCC08 ROGUE AUDIO EQUIPMENT RECVR AM/FM/CD SINGLE DISC-SCROLL DOWN TO RED FOR DESCC
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08 ROGUE AUDIO EQUIPMENT RECVR AM/FM/CD SINGLE DISC-SCROLL DOWN TO RED FOR DESCC08 ROGUE AUDIO EQUIPMENT RECVR AM/FM/CD SINGLE DISC-SCROLL DOWN TO RED FOR DESCC
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]]> http://www.filmakers-tools.co.uk/audio-for-single-camera-operation-media-manuals.html/feed 0 Directing on Camera A Checklist of Video and http://www.filmakers-tools.co.uk/directing-on-camera-a-checklist-of-video-and.html http://www.filmakers-tools.co.uk/directing-on-camera-a-checklist-of-video-and.html#comments Tue, 31 Aug 2010 07:46:42 +0000 admin http://www.filmakers-tools.co.uk/directing-on-camera-a-checklist-of-video-and.html

Directing on Camera : A Checklist of Video and Film Technique, Harris Watts, GooDirecting on Camera : A Checklist of Video and Film Technique, Harris Watts, Goo
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Directing on Camera : A Checklist of Video and Film TeDirecting on Camera : A Checklist of Video and Film Te
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Directing on Camera : A Checklist of V..., Harris WattsDirecting on Camera : A Checklist of V..., Harris Watts
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Directing on Camera : A Checklist of Video and Film Technique, Harris Watts, GooDirecting on Camera : A Checklist of Video and Film Technique, Harris Watts, Goo
End Time: 2012-03-09 12:16:25.
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]]> http://www.filmakers-tools.co.uk/directing-on-camera-a-checklist-of-video-and.html/feed 0 Camera Terms and Concepts Focal Handbook http://www.filmakers-tools.co.uk/camera-terms-and-concepts-focal-handbook.html http://www.filmakers-tools.co.uk/camera-terms-and-concepts-focal-handbook.html#comments Mon, 30 Aug 2010 22:39:38 +0000 admin http://www.filmakers-tools.co.uk/camera-terms-and-concepts-focal-handbook.html

]]> http://www.filmakers-tools.co.uk/camera-terms-and-concepts-focal-handbook.html/feed 0 Isle Of Man From The Air http://www.filmakers-tools.co.uk/isle-of-man-from-the-air.html http://www.filmakers-tools.co.uk/isle-of-man-from-the-air.html#comments Sat, 28 Aug 2010 20:29:58 +0000 admin http://www.filmakers-tools.co.uk/isle-of-man-from-the-air.html

One of the most spectacular films ever made about the Isle of Man, now with stunning surround sound and a host of extra features. The Isle of Man has one of the worlds most fascinating landscapes - shaped by the last Ice Age, weathered by time and coloured by human history. But much of this beautiful and dramatic scenery is rarely seen to its full advantage and can only be hinted at from a ground-level view. In this unique programme, we give you a rare opportunity to savour the entire island from the air as, using the latest helicopter camera techniques, we fly over the imposing sea cliffs, heather-clad mountains and historic towns of the Isle of Man. Presenter Charles Guard leads you through the story of the landscape unfolding beneath, including a unique perspective of ancient earthworks, coastal erosion and Ice Age formations. Explore the development of towns and villages, quarries and prehistoric remains and examine the impact of aviation, including hundreds of plane crashes and a wartime bombing raid. Thrilling history, spectacular scenery and breathtaking aerial views - all set against a specially-composed musical soundtrack - this is the Isle of Man as you've never seen it before. Special DVD features include: Fly the Coast - a full aerial tour of the coast Follow the Sulby River - the island's longest river as you've never seen it before Digital Mapping of the Isle of Man - a look at how digital maps of the island are produced English or Manx Gaelic language options Featured soundtrack with accompanying photo gallery of the island ....read more

The Republic of Mass Culture: Journalism, Filmmaking, and Broadcasting in AmericThe Republic of Mass Culture: Journalism, Filmmaking, and Broadcasting in Americ
End Time: 2012-02-09 03:39:48.
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Are My Blinkers Showing?: Adventures in Filmmaking in the New Russia, Michael YoAre My Blinkers Showing?: Adventures in Filmmaking in the New Russia, Michael Yo
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Film England: Culturally English Filmmaking Since the 1Film England: Culturally English Filmmaking Since the 1
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Film England: Culturally English Filmmaking Since the 1Film England: Culturally English Filmmaking Since the 1
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150 Projects to Get You into Filmmaking Grove, Elliot150 Projects to Get You into Filmmaking Grove, Elliot
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Visions of Struggle in Women's Filmmaking in the Me...Visions of Struggle in Women's Filmmaking in the Me...
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Cinematography: The Classic Guide to Filmmaking, Revised and Updated for the 21sCinematography: The Classic Guide to Filmmaking, Revised and Updated for the 21s
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Filmmaking: Direct Your Movie from Script to Screen...Filmmaking: Direct Your Movie from Script to Screen...
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Women and Experimental Filmmaking - BRAND NEWWomen and Experimental Filmmaking - BRAND NEW
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Universal Women: Filmmaking and Institutional Chang...Universal Women: Filmmaking and Institutional Chang...
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Raindance Producers' Lab Lo-To-No Budget FilmmakingRaindance Producers' Lab Lo-To-No Budget Filmmaking
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Filmmaking: Direct Your Movie from Script to Screen...Filmmaking: Direct Your Movie from Script to Screen...
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Universal Women: Filmmaking and Institutional Chang...Universal Women: Filmmaking and Institutional Chang...
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Final Cut Pro 3 and the Art of Filmmaking Jason CranforFinal Cut Pro 3 and the Art of Filmmaking Jason Cranfor
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The Digital Filmmaking Handbook-Schenk LongThe Digital Filmmaking Handbook-Schenk Long
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Cross Cultural Filmmaking: A Handbook for Making Do...Cross Cultural Filmmaking: A Handbook for Making Do...
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The Documentary Moviemaking Course: The Starter Guide to Documentary Filmmaking-The Documentary Moviemaking Course: The Starter Guide to Documentary Filmmaking-
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Filmmaking For Dummies (2nd Revised edition)Filmmaking For Dummies (2nd Revised edition)
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An Accented Cinema: Exilic and Diasporic FilmmakingAn Accented Cinema: Exilic and Diasporic Filmmaking
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Cross Cultural Filmmaking: A Handbook for Making Do...Cross Cultural Filmmaking: A Handbook for Making Do...
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African Filmmaking: North and South of the SaharaAfrican Filmmaking: North and South of the Sahara
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African Filmmaking: North and South of the SaharaAfrican Filmmaking: North and South of the Sahara
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Get Started in Short Filmmaking - Chris Patmore BOOKGet Started in Short Filmmaking - Chris Patmore BOOK
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Raindance Producers' Lab Lo-To-No Budget Filmmaking-Elliot GroveRaindance Producers' Lab Lo-To-No Budget Filmmaking-Elliot Grove
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Early American Cinema in Transition: Story, Style and Filmmaking, 1907-1913 by CEarly American Cinema in Transition: Story, Style and Filmmaking, 1907-1913 by C
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Republic of Images: History of French Filmmaking (HarvaRepublic of Images: History of French Filmmaking (Harva
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Republic of Images: History of French FilmmakingRepublic of Images: History of French Filmmaking
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Get Started in Short Filmmaking: Principles, Practi...Get Started in Short Filmmaking: Principles, Practi...
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Contemporary Italian Filmmaking: Strategies of Subv...Contemporary Italian Filmmaking: Strategies of Subv...
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On Location in Cuba: Street Filmmaking During Times...On Location in Cuba: Street Filmmaking During Times...
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There She Goes: Feminist Filmmaking and BeyondThere She Goes: Feminist Filmmaking and Beyond
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Contemporary Italian Filmmaking: Strategies of SubversiContemporary Italian Filmmaking: Strategies of Subversi
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Independent Filmmaking, Lenny LiptonIndependent Filmmaking, Lenny Lipton
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Filmmaking - Downey, Todd , Downi New ItemFilmmaking - Downey, Todd , Downi New Item
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Digital Filmmaking: An Introduction - Shaner, Pete New Digital Filmmaking: An Introduction - Shaner, Pete New
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Beginning Filmmaking: 100 Easy Steps From Script To ScrBeginning Filmmaking: 100 Easy Steps From Script To Scr
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Get Started in Short Filmmaking Patmore ChrisGet Started in Short Filmmaking Patmore Chris
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Film England: Culturally English Filmmaking since the 1990sFilm England: Culturally English Filmmaking since the 1990s
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Beginning Filmmaking by Elliot Grove, Paperback, BRAND NEWBeginning Filmmaking by Elliot Grove, Paperback, BRAND NEW
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GET STARTED IN SHORT FILMMAKING AN INSPIRATIO (P/BACK)GET STARTED IN SHORT FILMMAKING AN INSPIRATIO (P/BACK)
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Cinematography: The Classic Guide to Filmmaking, Re...Cinematography: The Classic Guide to Filmmaking, Re...
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]]> http://www.filmakers-tools.co.uk/isle-of-man-from-the-air.html/feed 0 MultiCamera Networks Principles and Applications http://www.filmakers-tools.co.uk/multicamera-networks-principles-and-applications.html http://www.filmakers-tools.co.uk/multicamera-networks-principles-and-applications.html#comments Wed, 25 Aug 2010 14:18:55 +0000 admin http://www.filmakers-tools.co.uk/multicamera-networks-principles-and-applications.html

]]> http://www.filmakers-tools.co.uk/multicamera-networks-principles-and-applications.html/feed 0 Cine Cameras Shire Album http://www.filmakers-tools.co.uk/cine-cameras-shire-album.html http://www.filmakers-tools.co.uk/cine-cameras-shire-album.html#comments Mon, 23 Aug 2010 14:50:44 +0000 admin http://www.filmakers-tools.co.uk/cine-cameras-shire-album.html

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]]> http://www.filmakers-tools.co.uk/cine-cameras-shire-album.html/feed 0 How to Do Everything with Your Digital Camera http://www.filmakers-tools.co.uk/how-to-do-everything-with-your-digital-camera.html http://www.filmakers-tools.co.uk/how-to-do-everything-with-your-digital-camera.html#comments Mon, 23 Aug 2010 10:51:12 +0000 admin http://www.filmakers-tools.co.uk/how-to-do-everything-with-your-digital-camera.html

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